Well, they're all nice chiaroscuro studies. The one you did for Broken struck me as particularly interesting in what you didn't choose to draw -- part of the guy's left leg, for instance -- and how that accurately reflects what we perceive and don't perceive, or think about perceiving -- how we fill in blanks visually (and in far more senses than just that). Also, the style of his face was fundamentally unlike the style you adopt for Space Kid!, so I was reminded of your flexibility.