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johncomic: (Uncle Old Guy)
making it this far!

Dunno what's different about this year, but I was really looking forward to this birthday and am glad to have it. Shaping up to be a great day!

[What's more, it's my first day this year wearing my summer shoes — always a Big Event®]

lesson

Apr. 15th, 2025 08:01 pm
johncomic: (SK BW)
Ponytail panel by Lee Holley


As a part of training my eye and hand for a new upcoming project, I've been drawing studies of Lee Holley's Ponytail panels from the early 60s. And I find myself learning [yet again] the lesson that comes from pretty much any 20th-century cartoonist: while the drawing may appear and feel pretty simple, it is deceptively simple. There is always a lot more intricate work involved than that. Always an inspiring eye-opener for me.

Sands

Feb. 17th, 2025 05:00 pm
johncomic: (Default)


My 56th acrylic is, once again, a visual that mysteriously popped into my head and stayed there. (As usually happens with any abstract that I feel moved to pursue to completion.) There's something about this colour palette that seems to connect with me, seeing as I used this same one last year. I can see me using these colours to sub for the white/gray/black palette I'm accustomed to working with in my cartooning, and doing value studies that way. (I even have a vague idea for the next one...)

musings

Feb. 11th, 2025 07:40 am
johncomic: (Uncle Old Guy)
A few times now I've mentioned the graphic novel I'm working on this past year or so. [And, if it gets out of hand, it may get too long for me to get it done while I'm still here.] Anyhoo: 
 
Today I got thinking, "Am I being ridiculous to work on something like this when the world seems to be falling apart around me? I mean, for the first time in my life, I am looking at the very real chance that my country may disappear and be swallowed up by a neighbour... causing untold stress and disruption and chaos. And then, being able to draw a comic will become the last thing on my agenda. Society may disintegrate beneath my feet, and I'm still just plugging away at my comic book like all is well??" 
 
I've thought that a few times lately, but when it happened today, I thought something else: "Yes, there is a chance this could happen. But, if I'm being brutally honest with myself, there's a far better chance that I could have a heart attack or stroke at any moment, and I won't be able to finish my novel then, either. But this has always been true, and I didn't let it stop me from trying. So maybe I similarly shouldn't let the state of the world stop me." 
 
Today I feel like I understand a bit better what the Beats meant in the Fifties when they said, "When The Bomb drops, it will find us painting and writing poems."

pups

Jan. 19th, 2025 02:47 pm
johncomic: (Default)
acrylic #52

acrylic #53

My 52nd and 53rd acrylics are, as you can see, both pups. One is a gift, one is for putting up at the cafe and [hopefully] selling. I've already realized that my animal paintings are the closest I get to “crowd-pleasers”. So, when it comes time to make a gift, that's what I fall back on. But I've also already begun to wonder how much these paintings actually qualify as fine art. Like, do they say anything? Do they express anything about me? Maybe they're just an expression of “my love of animals”, and maybe that's enough, I dunno....

On the other hand, I can think of an artist I see on Instagram who only ever paints horses, and she quite cheerfully admits that's all she ever has any intention of painting, because that's what she loves most. And I've never questioned her legitimacy as An Artist®, so why do I need to question my own?

On the third hand, lately I've gotten more of an urge to spend at least some of my easel time working on less accessible pieces — I can feel things in me wanting to get out. I've already resigned myself to those new pieces not being understood or enjoyed, but I still feel like they'll be worth trying anyway.
johncomic: (Uncle Old Guy)
 a clear sunny day, dry quiet roads, serene music in the car, and some peaceful time with just my thoughts

oh and a car heater that works [incl heated seat, woot!]
johncomic: (The Mighty Scott)
It seems that, every year, of all the music I discover, there is one particular standout artist for me who turns me into a major fan. Most often, it is someone new [to me]... but not always. For example, last year my musical discovery was Richie Kamuca — I was listening to records forty years ago that Kamuca played on, but at that time I wasn't focusing particular attention on his specific contributions to those records. Last year, I was given the chance to listen to him more closely and more widely, and finally became smitten.

But my discovery for 2024 is someone I had never heard until a couple months ago: Cory Weeds. He's an exciting find for me — not only for his own playing, but also for the record label he runs which issues work by many other wonderful artists, lots of whom are also new-to-me. There is such a wealth of good music to be discovered here! You can bet that Cory and other Cellar Music artists will occupy my ears frequently in 2025.
johncomic: (Default)
acrylic 51

My 51st acrylic is a nocturne of the Christmas fair at Hebden Bridge, which we visited in 2018. I got into how the night suggests rather than displays things, and really got into the depths of the lights on the tree. There's no razzle dazzle in this work, but I feel like maybe there's some honesty about a night I remember fondly.

gouache 10

My tenth gouache is a horned owl in the snow. This was my first time using an angle brush — I only recently picked up a few of those, in both bristle and soft synthetic — and I really enjoyed how it handled. I can see myself using them a lot in future. And, once again, the limited palette I have felt my way into for animal paintings came in handy here.
johncomic: (Steve the Pirate ani)
For a while there, I was not sleeping well. Not enough, and what I got was very spotty and fragmented. Eventually I realized that fretting about the state of the world was keeping my mind whirring and preventing me from settling down. 

Then I saw a post from someone saying that they were cutting the news out of their life for a while, for the sake of their own peace of mind. The gist of their perspective was that they already knew by now what things were awful, so they could take that as read. They didn't really need this awfulness underlined again every day. Knowing the particular details of how the awfulness had shifted somewhat was no help to them. And these were all things that they couldn't do anything about, so more knowledge was not a guide to more action or more solutions. 

Then someone else said that they had set up filters on their social media, for similar reasons. This is not something I had ever tried myself, but I decided to now. So I did, a few days ago. 

Now, posts will appear on my social media, but instead of content I get a message saying this post contains filtered items. So I know the post is there, and it's up to me to decide if I want to see it or not. So far, I have been declining. 

And I can't help but notice that I am consistently sleeping more soundly since I began to filter out some of the awfulness. 

I understand there are those who will object. Who will tell me I have a duty to know what's going on in the world. As in, knowing everything, every detail. [Most of us who grew up in the days before the 24-hour news cycle realize that you can get by without unceasing news updates.] And there are those who will accuse me of flaunting my privilege, because it must be nice to be able to afford to ignore these things. [I don't deny that my life is privileged and blessed in numerous ways, even if I'm not rich.] 

But the people who were cutting out this influence from their online lives were framing it more in terms of self-care. Protecting their health which was suffering because of this psychic onslaught. And that's how I'm choosing to frame this for myself: self-care. Like, I don't accept that I am flaunting my privilege by eating regularly, simply because there are other people who don't. [I do count my blessings, though.] If I have the capability to nurture myself [as opposed to wallow in decadent luxury] then I will do so, as much as I am aware and able. 

Maybe that's just me.
johncomic: (Uncle Old Guy)
Getting back into The Painting Groove®.

It's been weeks [months?] since I painted, largely due to adverse health circumstances, but also lack of ideas-slash-inspiration. But the deadline of Christmas looming has been making me fret, and I owe some people paintings as gifts, so I finally panicked enough to force myself once more into the breach.

I've noticed that, whenever I'm away from painting for a while, I eventually get to feeling like I have forgotten how. I lose what little confidence I've developed, and start to believe that whatever I produce now won't be any good. [Something similar happens with cartooning, but that feels more like gotten rusty than don't remember how.] But, in the last couple of days, I have finished the gifts that absolutely had to be done, and once I got about a third of the way into each one, I realized that they were turning out Okay Enough®, and I started feeling like I have a clue again.

I realize that the solution is “don't go so long without arting”, but this is me we're talking about here, so....
johncomic: (Sweets)
Lately I've been seeing a lot of old indie comic books [someone on IG is selling off a big collection, looks like], and it shames me to admit this but... some of these books get me feeling kinda judgy.
 
Like, they look poorly done, and the subject matter doesn't interest me in the least, and some of it looks tasteless or pointless or dumb, and I feel like You really thought it was worth your time and effort making this?
 
But today I suddenly thought: there may well be lots of people who think those same things when they look at my comics. And the guys who make those books may well believe in what they do as much as I believe in what I do. So we all gotta do our thing and be ourselves, right? Nothing wrong with that.
johncomic: (Frank)
I saw this quote on Mastodon a couple weeks ago that keeps coming back to me:
Art is not a sport. The point is not to be impressive at something difficult. It's expression, it's a way to focus on yourself, it's a way to get feelings out, it's a way to get ideas across. There is no cheating.
johncomic: (Face of Boe)
Not long after we moved to our new house, we discovered a special tree in our neighbourhood. In September it turned a bright, pure, complete and lovely yellow. I loved seeing it as I drove by.

yellow tree

It got to the point where I looked forward to every fall to go by The Yellow Tree® again.

Last fall, I went by in September and it was gone. It had been so thoroughly removed that the stump was dug up, the hole sodded over, and you would never suspect that there had ever been a tree there.

It makes me feel old when I outlive some of the things I love.
johncomic: (Steve the Pirate ani)
sitting here, and suddenly remembering: when I was in university, those elder students I looked up to — the ones I sought for advice and guidance and wisdom — were all under twenty-five
johncomic: (Uncle Old Guy)
Driving alone on quiet midday streets with a quiet mind, perfect weather, and gorgeous music. In moments like that, life is as good as you could want.

corgi

Sep. 2nd, 2024 08:58 am
johncomic: (Default)

acrylic #48

My 48th acrylic painting is supposed to be a corgi. This one was also a gift, so once again I found myself fussing with it a bit more than the loose, expressionist-slash-fauvist look I hope to cultivate someday. And again, I find myself doing a lot of drybrush work when painting an animal, even though I can't remember drybrush ever being discussed as a typical acrylic technique. For me, it just feels like the right thing to do here.

stretching

Jul. 18th, 2024 07:34 pm
johncomic: (Frank)
For the last couple days, I've been doing pencil doodles which are studies of faces and figures from Ponytail, an early-60s comic strip panel by Lee Holley.

Ponytail faces

Ponytail figures

This year I've also been doing a lot of mental work and planning for a new graphic project, and I find a lot of inspiration in Holley's approach, as if it could lead me into something new. Drawing these makes me feel like I'm Onto Something® — it's kinda exciting.

dilettante

Jun. 4th, 2024 05:44 pm
johncomic: (Moss)
I find myself thinking about this word a lot lately. Recently saw it defined as someone who indulges in something [most often an artform] without commitment. And I realize there are underlying connotations of Bad® here. Where did those connotations come from? Which gatekeepers determine how much commitment qualifies you as a true Artiste® as opposed to a dilettante?

I once heard David Bowie described as a dilettante, because of the stylistic variety of his work. He'd work with a sound for an album or two, then move on to a new one. He investigated things that interested him for as long as they interested him. He made the art he felt like making. Why is this a bad thing?

Along similar lines, I've been thinking about how amateur and professional have come to be used as terms to describe the quality of work. But, strictly speaking, neither word has anything to do with that. The amateur works for the love of the work; the professional works to earn a living. Full stop. There are amateurs whose work is astonishingly accomplished and wonderful, and professionals who manage to make a career doing work that is not particularly good.

I feel like it's time to reclaim these words. The value judgments we've attached to them are not inherent to the terms themselves: they are arbitrary additions which can be done without. I am a dilettante, and quite content to be one.
johncomic: (Default)
Selling a painting: someone bought the Sheltie a couple days ago. Making a sale is still such a novelty for me that it feels like a big deal. [To be fair, I always felt that that painting had the most curb appeal of any of mine, so I always expected it to be the one that would go.]

Hoard

May. 12th, 2024 12:40 pm
johncomic: (Default)
My 47th acrylic is [clearly] an abstract — black border added digitally to brighten the look of the warm colours on-screen. This piece feels like an important lesson/step forward for me... in that I can be reasonably sure that no one else will like it [so far, no one has], but I am confident in it anyway. I had a clear idea what I wanted to do, and I can see that I did it. So for the first time with an abstract, I feel like I don't need external validation to make it feel worth doing. P.S.: photos really don't do justice to these colours, but I have to make do.

acrylic #47

May 2025

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