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johncomic: (Charlatans)
This time, I am ranking topness as a measure of "how long can I listen to them before I burn out on them and need a break":
  1. Sulk
  2. The Charlatans
  3. The Ocean Blue
  4. Shed Seven
  5. TBA [too many tied for this spot]
johncomic: (Moss)
Long ago I read that the only truly American artforms are jazz, comic books, and rock-and-roll. [The accuracy of all of those claims is easily disputed, but let's leave that aside for the time being so I can make my wanky statement about them]:

I got thinking about this and realized that all these artforms share a common element. Even if we break down jazz into its three major waves [Dixieland, swing, and bebop], the same process always took place.

When these artforms first emerged, all of them were originally dismissed as garbage for kids, the poor, and the ignorant. It took years for each of them to achieve some measure of artistic credibility, i.e., acceptance by well-to-do whites. I just find the consistency of this sort of reaction to creativity to be kinda intriguing.

johncomic: (The Mighty Scott)
I don't remember how I discovered them, but there's this Swiss indie band on Bandcamp called the blue herons. A few times a year they will record and release a new song, and basically give it away — their sutff is “pay what you want”, even if “what you want” is zero. When I stumbled across them, they had about half a dozen songs out, and I got them all for free.

Eventually I realized that I listened to them so often, and enjoyed them so much, that it was only right that I give something back. So when their next song came out, I volunteered to pay way too much for it, to pay enough for all the earlier freebies. And I've paid for every song since then, more like the price I would expect to pay for any other song. I feel better knowing that I am doing my bit to help support an indie creator.

And for the last few, I haven't even listened to it first, I just buy it and download it as soon as it comes out. We're at the point now where I trust them, cuz they have never let me down. Their periodic reappearance in my inbox is a source of quiet delight in my life.
johncomic: (The Mighty Scott)
It's been almost fourteen years since I posted my list of my ten fave singers. [Please follow that link to read the explanation for how I decide who makes the list.] In that time, I've been exposed to a lot of new voices, my tastes have morphed, etc. So, time to introduce some new names [and, alas, demote/lose a few, but I'm sure they'll survive]:


  1. Noddy Holder
  2. Catherine Anne Davies
  3. Tortoise Matsumoto
  4. Pete Fijalkowski
  5. Gerry Marsden
  6. Kay Hanley
  7. Alma Cogan
  8. Misuzu Takahashi
  9. Tony Bennett
  10. Zooey Deschanel
And an honourable mention for a recent discovery, Cliff Bennett!
johncomic: (Charlatans)
a new Subways album — first one in like eight years and they are still great
johncomic: (Charlatans)
a new album from The Linda Lindas



Gotta tell ya, I find a lot of these songs uncommonly well-crafted for punk rock, and for such young creators....
johncomic: (Charlatans)
I am a fan of numerous movements and eras in rock music, but I recently noticed an oddity about my fandom:

Each movement has its major figures, innovators and leaders, and landmark albums. But, very often, my personal fave album in the movement is a more obscure one by a lesser light. Just something about that particular collection of consistently good songs and performances that speaks to me more — it happens more often than I'd expect.

British Invasion

Major figures would include The Beatles, The Rolling Stones, The Kinks, and The Who. But my fave British Invasion album is Shake Some Action by Flamin' Groovies.

punk
Major figures would include The Ramones, The Sex Pistols, and The Clash. But my fave punk album is (I'm) Stranded by The Saints.

Madchester
Major figures would include The Stone Roses, Happy Mondays, Inspiral Carpets, and The Charlatans. But my fave Madchester album is the self-titled debut by Ocean Colour Scene.

shoegaze
Major figures would include My Bloody Valentine, Ride, and Slowdive. But my fave shoegaze album is Against Perfection by Adorable.

Britpop
Major figures would include Suede, Blur, Oasis, and Pulp. But my fave Britpop album is the self-titled debut by Rialto.

Go figure, eh?

johncomic: (Steve the Pirate ani)
I am a creature of habit.

One of the first things I do every morning is listen to my favourite song [The Big Blue by Sulk]. And I eat the same breakfast [Quaker Oatmeal Squares with blueberries]. Several times a week I drop by my fave coffee shop [Puffle Café] before lunch and order a large black americano. For lunch I have peanut butter.

Day in, day out.

Some people wonder, “Don't you get bored? Don't you wanna have something different?” No -- if I wanted something different, I would get something different. I actively enjoy all these things and look forward to them every day. It's not just their comforting ritual aspect, I enjoy them for their own sake. I can find fresh pleasure in things and not get tired of them, just like I never get tired of seeing a sunset or a robin.

It doesn't take much to make me happy.

johncomic: (Frank)
Day 29: A song you believe is a genuinely good one-hit wonder

Hot Smoke and Sasafrass by Bubble Puppy

I also seriously considered going with Something in the Air by Thunderclap Newman but, technically, they had more than one hit...
johncomic: (Frank)
Day 28: A song with great vocals

For some reason, the name that instantly sprang to my mind when I was confronted with this was "Tom Jones", even though I have never been what you could call a really rabid fan of his [I like him just fine, though]. But then I decided to be contrary, and go with a more subjective definition of "great". I realized there are many singers who appeal to me deeply, in part because they may be technically imperfect but also project a lot of personality and soul that connects with me. So I am going with:

Favourite Fallen Idol by Adorable

When I got into Adorable, I soon realized that I deeply dug the idiosyncrasies of Pete Fij's vocals. For me, he has one of those voices that I would gladly listen to singing any type of song at all. I went on to pick up his other work post-Adorable and yes, I enjoy listening to his voice, whatever kind of music it decides to tackle. That, I feel, is also a form of greatness.
johncomic: (Booth)
Day 23: A song you love that's an opening track on an album

We Are the Lucky Ones by The Flys

So many I coulda gone with, since so many bands are smart enough to start strong and open with a great track. A major contender here was Delivering the Goods by Judas Priest, a song that gives me chills it's so well done. But once again I opt to give a bit more exposure to the more obscure, and I never met anyone else who ever heard of British band The Flys. We Are the Lucky Ones was the opening track on the North American release of their eponymous debut album (and only album over here, at least that I ever saw). There were lots of good songs later in the album as well, but nothing else I ever heard from them approached the towering achievement of this one.
johncomic: (Booth)
Day 21: A song you like with a person's name in the title

Elenore by The Turtles

My first impulse was to go with Ella James by The Move, cuz it's one of my Desert Island Songs®, but I already mentioned The Move in this list on a previous day, and I have this urge to spread it around a little. And I do love The Turtles' singles. There were bands that had more hits, but there were very few whose hits were consistently so great, appealing, uplifting, and well crafted.
johncomic: (Moss)
Day 19: A song you'd play for your haters 

New Song by Howard Jones 

This was an odd one for me. I'm not actually aware of any haters. Therefore no idea whom to address a song to. But I thought about it and figured that, if anyone were going to hate me, most likely it would be because they don't understand me. (I can't see anyone understanding me and then hating me, somehow.) So I thought of a song that might help to promote understanding, and I chose this one because of the lines in its chorus:

See both sides
Throw off your mental chains


I dunno, maybe if I had haters, they might need to hear that?
 

johncomic: (Default)
Day 17: A song from your preteen years

I Will Follow Him by Little Peggy March

I think I was six when my dad took us to a theme park one day in the summer -- something we didn't usually [and couldn't usually afford to] do... and I was riding a tiny train. The rhythm of the wheels on the track reminded me of the rhythm of this song, and suddenly I was hearing the song playing in my head along with the ride. I remembered hearing this song on the radio... and that day is the first time I can remember being aware of the ability to hear a song, recall it, and play it back in your head. It felt kinda magic.
johncomic: (roundhead cartoon self-portrait)
Day 16: A song that's fun to scream along to.
(Note: NOT just "sing a little bit loud". I mean scream. The singer doesn't have to be screaming but you do.)

Walk Like a Man by The Four Seasons

For me, this one is a screamer because I can't hit those notes quiet. The only way I can push my range up there is to hit it hard and loud.
johncomic: (Moss)
Day 15: A song you like that's a cover

Speak Now or Forever Hold Your Peace by Cheap Trick

Cheap Trick didn't perform all that many covers, really, and they made their reputation on the strength of their uncommonly fine original material... and yet somehow this cover is my fave of all their recordings. I love the production trick in the intro that makes the drums approach from the distance, everyone's performance is stellar (one of Robin's finest vocals ever, in particular) and they give the song an undeniable hypnotic power. It was only by paying attention to the composer credits that I realized that this was a cover -- I was not at all familiar with the original version or its creator, and in fact many decades passed before I ever managed to hear it.
johncomic: (Frank)
Day 14: A song you like that uses an unconventional instrument

The Minister by The Move

Seems to me that it's unusual to use an oboe in a guitar-rockin' tune like this one, but it was not unusual for The Move to do this...
johncomic: (Uncle Old Guy)
Day 13: A song you like from the 60s/70s/80s
(You can pick one or do them all!)

60s -
Slow Blues by Duke Ellington

70s -
Lovin' You Ain't Easy by Pagliaro

80s -
Mad Jack by The Chameleons

My sixties choice surprised me a little bit, but I realized that I once, purely for the helluvit, whittled down my Desert Island List® to a Desert Island Top Ten, as if my island limited me to only ten songs, and Slow Blues was the only song from the sixties that made the cut for that cruelly truncated list.

johncomic: (Uncle Old Guy)
Day 12: A song you like to sing at karaoke

Sour Suite by The Guess Who

This song was actually a hit single (in my region, at least), but today I am surprised by how few of my fellow Canucks remember it. But I always had a special fondness for it, it touched me deeply, and it was one I loved to sing – in the shower, around the house, whatever.

A few years back was the first time I was ever invited to karaoke, and I wasn’t sure if I felt like participating or not… but I decided that if they had Sour Suite, then I would take it as a sign. I went. They had it. I did it. I loved it – a great moment!
johncomic: (Face of Boe)
Day 11: A song that makes you cry

Songbird by Oasis

Most songs that bring me to tears do so because they are pretty in a touching way, and I was quite tempted to go with The Mighty Pat's Letter from Home. But I recently came across this song again and was reminded that, not only is it pretty in a touching way, but I also associate it with a time of pain and loss, meaning even more reason for tears. So this one is more appropriate for me.

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