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johncomic: (piggy family)
my grandmother's eyes

They were a beautiful, deep, warm, luminous brown that always brought to my mind the word lambent. They remained vivid and vibrant her entire life, and I can still remember them as clearly as I can remember anything.
 
johncomic: (Uncle Old Guy)
the unfailing good feeling of putting on fresh socks
johncomic: (Booth)
I have been feeling flu-ish since last Tuesday. On Friday my doctor sent me to get tested for covid. Just got my results back today -- NEGATIVE!! Woot!!
johncomic: (Face of Boe)
Dollar Tree up here is technically not a dollar store, because the price of every item is $1.25, but you get the gist. I was in there the other day, and, for whatever reason, my eye was caught by an item in the aisle for party favours, children's games, puzzles, etc.

It was a painting set. It offered two drawings on plain 8½ by 11 paper, simple black lines on white. One was a farmyard with a barn, the other was a chicken with some eggs. The kit also had a set of six tiny plastic pots of paints and a cheap little brush which most likely wouldn't do a very refined job of anything.

I saw that and instantly teared up. Fortunately, no one was close by and no one saw me. Even so.

In that moment, all I could think of was, if I were a youngster, how much delight and wonder I would experience if I received something like this. The unalloyed magic and purity of a child's appreciation of such simple, humble things. And it tore at me inside, the realization that this was a part of me I had lost, that most of us lose.

Perhaps not completely. I like to think that, when we pause to take in the beauty of a sunset, we are returning for a moment to that state of tenderness and purity, reclaiming something essential in our spirit.

I try not to idealize the concept of childhood. Especially not my own. I would never want to relive it. I remember my childhood as containing a lot of fear, a lot of pain. Disappointment, frustration, anger, sadness. But there truly were also those moments of wonder and joy, many of them on account of something simple or trivial.

I was also made aware of such times when my own children were very small, and we could pick up some battered trinket for them at a garage sale for a quarter or a dime, and the enjoyment they derived was out of all proportion to what we spent.

Since that dollar store moment, I have found myself frequently on the edge of tears again, just from remembering it. Being put back in touch with the concept of simple pleasures, and how much they can offer us if we let them. Thinking that this is one aspect of childhood that we don't actually have to leave behind, but how odd we appear to others if we don't leave it behind, if we “make a big deal out of nothing”.

I wish life didn't harden us.

johncomic: (Uncle Old Guy)
I recently read that Kurt Vonnegut claimed writers have a defining moment that more or less informs their oeuvre. He said that his was the realization that his parents weren't happy, but could have been, and why weren't they. I leave it to you to decide if that concept is lying within his works. But it got me thinking about a moment that I have long felt is definitive for me.

I remember that I was eleven, and it was summer, and I was alone, lying face down in the front yard, closely examining the grass. (I thought of it as scientific curiosity.) And I suddenly found myself thinking about world hunger. Looking back now, that strikes me as an odd topic for a kid to be dwelling on out of nowhere. But I also remember that there were a lot of TV commercials for charities in the sixties, and we were frequently presented with the sight of starving dark children -- they were always dark, I couldn't help but notice, even though we didn't have a colour TV yet. The point being, the concept of world hunger was never far from our awareness for long. So I was thinking about it on this summer afternoon.

And it occurred to me that either we couldn't solve the problem of hunger, or we could but didn't. Meaning that we were either helpless in the face of a cruel universe, or that we were cruel ourselves.

And then I got thinking about God. Which also wasn't odd, since I was raised in a devout Fundamentalist Baptist household, and considered myself a believing Christian. I was taught that God was all-powerful, all-loving, and all-good. But, again, either God couldn't solve the problem of hunger, or He could but didn't. Which meant that either He was not all-powerful, or not all-good. I didn't carry the thought to the point of "this doesn't make any sense", but I went as far as "this is a lot more complicated than anyone lets on. There are problems here that the people in church don't want to deal with."

There is a Bible verse where Jesus says, "If you ask anything in My name, I will do it." In church, I was taught that "asking something in Jesus's name" meant "praying in accordance with God's will". As in The Lord's Prayer: "Thy will be done on earth as it is in heaven". Another Bible verse says, "The Lord is not willing that any should perish". I was taught that "perish" here did not refer to physical death, but meant being consigned to hell. So, possibly, the physical deaths of starving people "wasn't as important". But here it seemed to me that all we needed to do was pray, "Lord, in Jesus's name, I pray that no one gets sent to hell". If both those verses are true, then that should take care of it -- all of humanity is now saved. But any church person will assure you that it doesn't work that way. No one had explained to my satisfaction why it didn't. [No one has yet. Again, more complicated than anyone wanted to let on.] I also had some trouble with the concept of praying that God's will be done: I didn't see how that differed from saying, "Dear Lord, please do whatever You want", or even "Dear Lord, please do whatever You were going to do anyway if I didn't bother praying". I mean, does He not do what He wants if we don't ask Him to do something?

Anyway, I ended up facing the prospect that, in a world created and ruled by a loving omnipotent God, people would continue to die of hunger, and that the ensuing helplessness and/or cruelty were inevitable. It was the first time I could remember feeling depressed.

And when I finally went back inside, my mom could see that something was getting me down, and she asked me what was wrong. And I told her "nothing". Because I was sure she wouldn't understand or accept. It was also the first time I could remember feeling so alienated from my parents.

These issues have returned to haunt me again and again for over fifty years. I still haven't sorted it out to my satisfaction. And I feel like anyone who figures they have got it sorted out, hasn't really thought about it enough.

johncomic: (Moss)
I finished my novel on the 7th and, looking back over it now, I find that, even if it is not as good as I hoped, it's not as bad as I feared.
johncomic: (Moss)
rocking NaNoWriMo for my third consecutive attempt -- just past four days in and I am closing in on 30K of the 50K word goal. I got this!

[but yeah my hands and arms are sore and tired...]

johncomic: (Uncle Old Guy)
a long stretch of quiet alone time at home -- I usually need to go out to get some of that, nowadays
johncomic: (Uncle Old Guy)
I know I haven't gratituded in a long time. I know I keep telling myself I will do it every day. I know it's more effective the more ya do it. I know, I know, I know.

But I saw something today that reminded me about it, and here I am back on the horse. No good comes of berating myself for being remiss, so, rather, allons-y.

Today I am grateful that my notes on my next novel are coming together well, and I feel very prepared to tackle NaNoWriMo next week. Back in February I was so deeply stuck on this story that I gave it up. After writing four novels last year, I found myself unable to muster one. So I diverted myself into painting, and then my new comic strip. But things started shifting in late summer, and the story started pestering me again, and falling into place better. And now I am back in Writer Mode. [Not sure if a Real Writer like [personal profile] ginsu would consider me one, but IMHO I'm close enough for horseshoes.]

The way things look and feel now, I expect to be able to hit my 50,000 words next month, and go beyond, and finish this book. And after my production last year, no, I am not a failure for only writing one novel in a year, so there.
johncomic: (Uncle Old Guy)
gaining an appreciation

Went out for a drive today and one of the best parts was passing a farm with a big bunch o’ cows out in the field. I loved seeing them so much.

And now I remember times when I was going-on-teen and out in the car with my folks, and how much pleasure they got from seeing something like that. And they’d point it out to me so that I could appreciate it, too. And my reaction was along the lines of rme and big deal and who cares about stupid cows.

I feel bad now for rejecting the treasures they offered me. I look back at young me and don’t understand him at all. How could I not dig animals?! I wish I could apologize to my parents now, and thank them, and tell them that I found my way to the same page they were on.

Early Tree

Oct. 4th, 2020 05:22 pm
johncomic: (Frank)
My 27th painting, Early Tree, is not part of my earlier UK series, but I do plan to return to that at some point. This one was a gift for a friend who appreciates Early Trees: oddball trees that change colour well before autumn begins, before any of the neighbouring trees do. Early Trees are a gentle, quirky delight.

my 27th painting
johncomic: (SK BW)
getting it right

Today I was working on upcoming strips of my new comic strip “series” Not That Magic: Tales of Vernor Magus... and I drew a couple of panels that really worked for me, I mean uncommonly well. So much so, that I want to post them here and brag about them.

panels from Vern #37

When I look at these drawings, I see characters who are natural and alive and convincing, despite the stripped-down cartooniness of how they are rendered. Not saying they are perfect, but they are Plenty Good Enough®. I am grateful for times like this, few and far between, when I feel Plenty Good Enough®.

johncomic: (Moss)
feeling competent

Today I am on day two of a migraine, and looking for some way to distract myself from it. I debated starting a new painting, since the light is good today, but told myself, No, I think I'll do some cartooning, I can relax with that a bit better.

And I realized what this means.

Painting is still something I need to focus intensely on. I feel like a rank noob, I go slow and second-guess myself every step of the way. But when I draw comics, there is still focus, but it's less scrunched-up concentration and more meditative mindfulness. I feel like I know what I'm doing and can simply rest in that. And today I am taking pleasure in that sense of “knowing what I'm doing”...
johncomic: (roundhead cartoon self-portrait)
Although I am best known for creating comic books, and my love affair with them goes back decades, comic strips [the ones that appeared daily in newspapers] have also been important to me just as long. Before I started buying comic books with any regularity, I was reading the funnies every day. And it was while I was reading a comic strip that I had my epiphany and realized that I wanted to be a cartoonist.

my history with comic strips )

johncomic: (Moss)
Painting #24 is another in my UK Series.

During my last trip to York, I discovered Minster Gates: a short cramped little street, packed with various shops in the ground floors of wonderful old buildings, that suddenly surprises at the end with a view of the side of York Minster. I tried to capture some of that sense of reveal here.


painting 24
johncomic: (Default)
not giving up


I haven't been painting much recently. I am too fussy about my working conditions. I like to work by daylight, so if it's too overcast, then "the light's no good". Also, in the summertime the kitchen gets too hot because it gets a lot of afternoon sun. And I paint at the kitchen table. (I also draw at the kitchen table -- it's my Workspace®.) So if it isn't overcast then "it's too hot to work". That's as may be.

Anyway, where I have normally been polishing off a painting in a day or two, I started this one the beginning of July and it's maybe half done. This painting has been discouraging me. I look at it and feel like it isn't right. I feel like I can't really do this and who have I been kidding all this time. It even makes me look back at my finished ones and tell myself that they aren't that hot. I have lost my painting fire lately.

But today....

Today was sunny and cool. Perfect working conditions for painting. And, no matter how discouraged I was, I always knew that I wanted to finish this painting anyway. So today I went back to it. And ended up working longer than I planned.

And what I did on it today is a bit better than I was expecting. When I eventually stopped, I felt like this piece is coming together finally. Not so very bad after all. I even looked at my old ones and they looked better than they did a few days ago. (I'm still a little disappointed that what I am doing is coming out looking Impressionist, and I keep yearning to capture more of a Fauvist/Blaue Reiter vibe, but today I am more content to let the work become what it is. Maybe I can rock my Fauvism next time.)

So, whatever was causing my mood, causing me to feel so negative about my painting, seems to have eased off some. I'm glad I pushed on and found my way to this somewhat better place.
johncomic: (Face of Boe)
being alive

Neither of my older brothers lived to be as old as I am today. The oldest died just over five years ago, and he was just over five years older than me. So in a sense I have been waiting for this day to see if I could make it. Apparently I did. Ever since he passed, I've harboured an odd feeling that, if I made it to today, that everything I get after this point is gravy... as if I have no right to more than my brothers got.

I'm probably being silly, but I don't intend to worry overmuch about it. I'd rather focus on making the best use I can of these coming days.

Bliss

Jul. 7th, 2020 12:43 pm
johncomic: (Default)
I decided to share my seventeenth painting here because it has a bit of an interesting story to it.

This is based on a photo of author-slash-polymath [personal profile] blissmorgan, a friend for a good few years now. How her picture came to be a painting happened like this:

I was looking at my acrylic paints, and I was struck by the way that all my cadmium paints -- Cadmium Red Medium, Cadmium Orange, and Cadmium Yellow Light -- look like nothing found in nature. It's even a challenge to blend them with other paints and mix a colour that doesn't still have a whiff of that plastic artificial feel to it. Suddenly I thought that it might be fun to try using those colours, full blast, to depict something that absolutely is natural and organic -- I felt that the tension might give the painting an interesting energy.

Didn't know what to paint, though.

So I spent a while browsing through photos, looking for inspiration... and when I came across this, it struck me that the tones in the face would lend themselves to my cadmium colours very easily. So I went for it, and ended up pretty satisfied with the result, more abstracted than what I usually do. Hoping to find an avenue for more adventurous colour again, sometime in future....

painting #17
johncomic: (Frank)
My 23rd painting is a self-portrait, another in my UK Series. A few people have liked this one. One of them applauded my courage in tackling a self-portrait, saying that those aren't easy. Oddly enough, part of why I tackled it was because I expected it to be not too hard. I can't think offhand of an artist who never did a self-portrait, so I figured that these were simply The Done Thing® and it was more or less expected that everyone can do it. Glad I didn't know going in that it wasn't easy, or that might have scared me away!


painting #23
johncomic: (Moss)
I see that [personal profile] leecetheartist has posted what they've been reading, so I'll copy, why not?

Just Finished:

The Unhoneymooners by Christina Lauren
The Big Kahuna by Janet Evanovich
Body Surfing by Anita Shreve

Currently In The Middle Of:

Lives of Girls and Women by Alice Munro
At Home in Mitford by Jan Karon
Johnny Hazard, Volume One by Frank Robbins
Hagar the Horrible, Volume Three by Dik Browne
Menage à 3 by Gisèle Lagacé

On Top of My To Be Read Pile:

The Heist by Janet Evanovich
Another View by Rosamunde Pilcher
Selected Stories by Mavis Gallant
Island by Alistair MacLeod
The Collected Stories by Carol Shields
Firefly Summer by Maeve Binchy
Rob Hanes Adventures, Volume Zero by Randy Reynaldo

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